Footwork is weight control. The correct position of body blows, and that strokes should grow. In explaining the various forms of movement and footwork I am writing as a right-hand player. Left-handers simply reverse the feet.

Racquet grip is a very essential part of stroke, because a faulty grip will ruin the best service. It is a natural grip for a forehand up. It is inherently weak for the backhand, as the natural shot is a chop stroke.

To acquire the forehand grip, hold the racquet with the edge of the frame towards the ground and the face perpendicular, the handle toward the body, and “hand” with him, as if greeting a friend. The handle settled comfortably and naturally in the hand, the online arm, hand and racquet are one. The swing brings the racquet head on a line with your arm and racket of all is simply an extension of it.

The backhand grip itself is a quarter circle of the hand on the hilt, so that the hand on top of the handle and the knuckles directly up. The shot travels through the wrist.

This is the best basis for a grip. I do not advocate learning this grip exactly, but the model of your natural grip as much as possible on these lines without sacrificing your own comfort or individuality.

Having once settled the racquet in hand, the next question is body position and order of development of stroke.

All tennis strokes, should be done with the body ‘at right angles to the network, with the shoulders lined up parallel to the flight of the ball. The weight should always travel forward. We must go from standing again to the foreleg at the time of hitting the ball. Never allow the weight to be away from the race. is the weight that determines the “rhythm” of a stroke, swing that, decides the “speed”.

Let me explain the definitions of “speed” and “rhythm”. “Speed” is the real rate with a ball that travels through the air. “Pace” is the impetus that comes from the earth. Pace is weight. It is the “Sting” with the ball when it comes to land, giving the inexperienced or innocent player a shock of force which the stroke in no way showed.

A large number of players have “speed” and “rhythm”. Some shots may carry both.

The order of learning strokes should be:

1. The unit. Fore and backhand. This is the foundation of all tennis, because you can not build a network from attack unless you have ground motion to open the road. Nor can meet a net attack successfully unless you can drive, since it is the only crossing shot success.
2. The Service.
3. The Volley and Smash air.
4. The Court or the half volley and other incidental and ornamental strokes.

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